![]() ![]() Frankly, this makes their greatest value that of greater historical curiosity than songs entirely in their own right. This means that most of the items here are likely to be familiar to many listeners. The rest are effectively arrangements, realisations or re-interpretations of earlier works. Indeed, of them all only the Rencesvals and Quattro liriche di Antonio Machado are entirely his own, original, work. Thus it is that Dallapiccola drew on the music of Renaissance madrigalists, Monteverdi and his contemporaries for the bulk of the songs collected here. It would be almost inconceivable that an Italian composer could operate in a vacuum, so rich is the musical heritage of that culture. Indeed, the first extant of Dallapiccola's compositions were for voice and piano – although he suppressed them. Luigi Dallapiccola lived from 1904 to 1975 and wrote perhaps the most lyrical twelve-tone compositions of the trio of twentieth-century Italian composers that also included Berio and Nono. Gioite al canto mio (from "Euridice") 4.Illustratevi, o cieli (from "Il ritorno d'Ulisse in patria") 3.Sonetto spirituale in stile recitativo 2.Sonetto spirituale (Maddalena alla croce) 3.Rencesvals, trois fragments de "La chanson de Roland" 4. ![]() Di misera Regina from "Il ritorno di Ulisse in patria" 3. ![]()
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